Complete Works

Impressions of the Sky from Underwater | 2020
bass clarinet, marimba, electronics; commissioned by Transient Canvas - 7'

Spelunking | 2020
Trumpet(s) with improvised soundscapes and live electronics - ~15'

Ansible | 2019
trumpet, piano, percussion, live electronics; commissioned by SPLICE Ensemble – 30'

Subsong | 2017
fixed media – 7'

Jungles: Remix | 2014
fixed media – 5'

Phobiaphages | 2013
solo or duo violins and electronics – 11'

Winter Hawthorn | 2013
clarinet and live electronics – 5'

Elliptic | 2012
piano, percussion, and electronics; commissioned by the Inoo-Kallay Duo – 12'

Tarantella Carbine | 2010
cello and electronics – 4'

 

Territories, Refrains | 2020
Amplified flutes, clarinet, harp, percussion, light; created with Ensemble Adapter - 12'

Hydra Nightingale | 2017
solo contrabass; written for Kyle Motl - 9'

Human Exoskeletons | 2017
two violins with b-flat trumpet; commissioned by ARCUS Collective - 3'

Reductionism is a dirty word | 2015
bass flute, piano, and contrabass - 6'

Jungles III | 2015
alto saxophone, electric guitar, piano, and percussion - 6'

Two Paths | 2014
two percussionists - 12'

Vessel | 2013
solo cello; written for Jennifer Bewerse - 15'

Berceuse et Jeux | 2013
soprano, cello, and contrabass - 6'

At The Hour | 2007
solo piano - 6'

 

Ofelia's Life-Dream | 2009, rev. 2014, 2020
soliloquy with electronics – 12'

Clapping-Game Songbook | 2020
Musical Theater for 2 sopranos, baritone, bass clarinet, saxophone, percussion. commissioned by Guerilla Opera – 15'

Musica Ficta | 2018
Ritual for four+ performers (voice and movement) with sampler improvisation – 15'

How to Survive a 100-hour Workweek | 2016
Musical theater for three vocalists, crank operator, and live electronics – 20'

Vivarium | 2017
Tactile theater for two performers with amplified pomegranates, live projection
created for SPOR Festival of Contemporary Music & Sound Art - 15'

 

Soma | 2018
Live performance with electronics and super 8 film, with Lyndsay Bloom

Wall of Old Women | 2017
collaborative site-specific installation

AXALAPAZCOS | 2017
sound design for video installation, with Lyndsay Bloom (film) and Francisco Eme (co-composer.)

Sound Masses for Dark Times | 2016
multi-media installation

Personal Artifacts | 2016
stereophonic sound system and industrial space

SEA SOAR | 2015
Original score. Film by Lyndsay Ellis Bloom.

Anarrhichthys Loops for fixed media with wolf eel, or video | 2013

 

Alexandria Smith + Caroline Louise Miller
duo project with trumpet, voice, live electronics, samplers, acousmatic spaces

Tales From the Wasteland

Immersion@Birch Aquarium