Electroacoustic

Subsong | 2017
fixed media

How to Survive a 100-hour Workweek | 2016
musical theater with live electronics

Jungles: Remix | 2014
fixed media

Sadismusic | 2013
solo or duo violins and electronics

Winter Hawthorn | 2013
clarinet and live electronics

Elliptic | 2012
piano, percussion, and electronics

Tarantella Carbine | 2010
cello and electronics

Ofelia's Life-Dream | 2009, rev. 2014
vocalist and electronics

 

Intermedia

Soma | 2018
Live performance with electronics and super 8 film, with Lyndsay Bloom

Vivarium | 2017
two performers with amplified pomegranates, live projection

Wall of Old Women | 2017
collaborative site-specific installation

AXALAPAZCOS | 2017
sound design for film installation, with Lyndsay Bloom (film) and Francisco Eme (co-composer.)

Sound Masses for Dark Times | 2016
multi-media installation

Personal Artifacts | 2016
stereophonic sound system and industrial space

SEA SOAR | 2015
Original score. Film by Lyndsay Ellis Bloom.

Anarrhichthys Loops for fixed media with wolf eel, or video | 2013

 

Chamber

Hydra Nightingale | 2017
solo contrabass

Human Exoskeletons | 2017
two violins with b-flat trumpet

Reductionism is a dirty word | 2015
bass flute, piano, and contrass

Jungles III | 2015
alto saxophone, electric guitar, piano, and percussion. formerly titled Metascore Lab.

Two Paths | 2014
two percussionists

Vessel | 2013
solo cello

Berceuse et Jeux | 2013
soprano, cello, and contrabass

At The Hour | 2007
solo piano

 

Large Ensemble

Limerick for grade 5 wind ensemble | 2011

Nocturne for piano and orchestra | 2009

 

You can also click here to go directly to my soundcloud.